The Staves have a talent in their live recordings of simple and sweet harmonies. I love this version of “In The Long Run” (in support of the online project Taschenkonzerte.com) which is filled with bittersweet lyrics. I want to be the fourth Stave but probably will never get that chance, so instead I’ll listen to their lovely voices to lift me from my fourth week blues.
Brockhampton proves that in 2018, you don’t need a record deal to become a household name. Formed in 2015 in San Marcos, Texas, the rap collective is essentially a crew of fifteen friends who work together to write and record music, shoot videos, and promote their brand. The first members actually met in the comments of a Kanye West fan forum. Now, Brockhampton lives together in Los Angeles and churns out albums faster than you can squeak an ad-lib.
Over the course of 2017, Brockhampton produced three LPs to comprise the SATURATION trilogy, each release more dialed than the last. Their sound is fresh but familiar, like a sonic lovechild of Missy Elliot and Dr. Dre. The group’s six rapping members cover a great deal of lyrical ground, touching on themes like faith, drug use and homosexuality. Their latest tour wrapped up last night with a show in Phoenix, AZ.
When I first saw the title of Brockhampton’s latest tour – Love Your Parents: A Live Experience by BROCKHAMPTON – I assumed it was some kind of inside joke. Almost everything the group had put out to date had been tinged with mockery, like the fishy announcement that Saturation III was “Brockhampton’s final studio album.” Loving one’s parents is by no means an offensive practice to promote, but the lyrics of songs like “JUNKY” suggest a bit of tongue-in-cheek there. Calling it “A Live Experience” seemed like a similar stunt to the announcement that the group’s “last studio album” announcement: an act of facetious grandeur.
Brockhampton’s visit to Denver’s Ogden Theater on February 22nd was no gimmick. The show was sold out weeks in advance, with scalpers peddling their wares in the triple digits. The “live experience” had no opener, and so by showtime the venue as packed with anxious fans. The atmosphere before the show was not unlike that of other boybands – anxious fans rushing to get past the security metal detectors, people standing on their tiptoes to see any Brockhampton members lurking in the wings. Every time a sound guy crossed the stage, the crowd erupted into cheers. Some enthusiastic fans in the front tried to summon the boyband three separate times with a “BROCK-HAMP-TON!” chant.
Suddenly, the house went dark. A pedestrian crossing light shone brightly on one end of the stage, and a stoplight illuminated the other. There was a moment of tense silence and anticipation; the calm before the storm. No music just yet. Then, the main lights came up to reveal the makings of a living room – sofa, some chairs, and an ambiguously vintage television set – inhabited by America’s Favorite Boyband, all in matching orange jumpsuits.
Unsurprisingly, Brockhampton opened with “BOOGIE”, a track that marked a sharp upturn in their popularity. Each verse brought a new member downstage, until all but one were in full formation. By the end of the song, each member was downstage and fully vertical – except for Bearface, who spent the entirety of the show lounging in various positions on the furniture.
Kevin Abstract, the group’s leader, did not give the audience much time to breathe after their raucous introduction. For the next hour and a half, Brockhampton blasted through what seemed like all of the Saturation trilogy. The kept small talk between songs to a minimum, but that’s not to say Brockhampton shirked the crowd. Kevin was the primary voice of the group between songs, and he thanked and taunted the crowd. There was even a point in which Kevin engaged the audience in a call-and-response cheer of “I’m gay!”
At one notable moment, they played Star. After Kevin’s verse, he stopped and had the entire crowd rap the lyrics back to him. A bold decision, yet somehow everyone knew all the words. The show maintained its energy on the audience’s knowledge alone. This wasn’t just a hit-song phenomenon, either. Audience members were consistently rapping along to every word. Hilariously, everyone screamed the loudest during the parts with lyrics referencing Kevin’s gayness. Hearing the audience of a sold-out venue shout about giving men oral sex was a special experience indeed.
About an hour into the show, Kevin shut down the party to host a brief Q&A. This lead to a divine moment in which a girl in the crowd held the mic and earnestly asked Matt Champion if he would like to hit her JUUL–he politely declined. Another audience member asked about a certain synth line, which briefly brought DJ Romil into the spotlight. An intergral part of Brockhampton’s music, Romil was the silent hero of the night. He nailed the live autotuning, and made sure there wasn’t a moment of dead air to spoil the energy.
The show came to a close with a soulful solo performance of Waste by Bearface, who had remained draped across the living room set up until that point. Naturally, the performance wasn’t really the end of the show, and it was obvious that the boyband was simply baiting the audience for an encore. Upon Bearface’s exit, the stage went dark. For about ten hopeful minutes the crowd chanted and churned. Kevin took a mic from backstage and teased the crowd with lines from various songs, taunting his fans with a vast portfolio of potential reprises. Finally, the lights came up and Brockhampton came out to perform the pleasant pop track “HOTTIE”.
Brockhampton’s show at The Ogden proves that there is strength in numbers. With six spitters to cover every dropped syllable, the group enjoyed a large margin for error. The group dynamic is forgiving. It doesn’t matter that no single member could carry a performance like that on their own – that’s just part of the deal. They wear the same orange jumpsuits and often paint their faces blue, a cheeky nod to the fact that Brockhampton is totally a team effort.
Brockhampton’s achievements over the last six months could be enough to satisfy a young rap group’s ambitions, but America’s Favorite Boyband is nowhere near slowing down. Now that the “Love Your Parents” tour has come to a close, Brockhampton will return home to Los Angeles for a few months, before playing major festivals like Coachella, Bonnaroo and Reading & Leeds. I tremble for any act who has to follow them.
Soloq is a go-getter. This 17-year-old chillwave producer sells beats for money in addition to working on his own stuff, and while he’s not exactly widely established yet, he’s already got some dank collaborations on lock . Soloq’s latest project features a track with vocals by Clairo, the bedroom pop internet darling that everyone seems to love. The lovely tune is full of satisfying pops and guitar strums, the perfect soundtrack to an early spring day. Listen below.
I JUST WANT TO SMOKE CRACK WITH MY FRIENDS! Ok… that’s definitely not what I want to do but that is one of the quality lyrics from Natural Child’s song, Crack Mountain. Crack Mountain is a crisp blend of garage rock with a southern twist. Like most Natural Child songs, it has refreshingly straightforward lyrics. Its upbeat tempo is nearly irresistible and as the weather gets warmer, Natural Child will make you feel like it is already mid-summer. You should definitely listen to Natural Child this weekend and you should certainly avoid their advice.
We sat down with psych-pop dream-trap group Easy, baby after their SOCC performance in December to chat about new music, old friends and the pitfalls of Rocket League. Based in Montreal, the band was started by CC alumni Gabe & Eli Sashihara and their childhood friend Lucas Hamren. Listen to the conversation below:
Starved in metropolis… Hooked on necropolis… Addict of metropolis… Do the worm on the acropolis Slamdance the cosmopolis Enlighten the populace….
“Ghetto Defendant” is one of those songs that will never tire me. I’ve listened to it religiously for months, always finding something new in the lyrics and the way in which the different speakers’ words interact with one another. That pleasing, old poet voice rhythmically purring is none other than Allen Ginsberg reciting lyrics he wrote for the song, communicating “the voice of God.” Take a listen:
I’m imploring you not to take this song too seriously; if you don’t, you’ll probably really like it. Okay Kaya (who’s also an actress and a model, and Porches’ girlfriend) has a gorgeous voice, and her lyrical talents have brought lines like “Maybe if you come with me/I will let you cum in me.” At its most serious, the song pays tribute to Planned Parenthood, amongst other feminist touches. At its lightest is the chorus––to find out why, you just gotta click play.
Brockhampton, stylized as BROCKHAMPTON, is a California-based American hip-hop collective formed in San Marcos, Texas in 2015. Brockhampton was founded on Internet forum KanyeToThe, leading them to be described as ‘The Internet’s first boy band’. They released their first mixtape All-American Trash in 2016, their first album Saturation in June 2017, and their second album Saturation II in August 2017.
No one could have predicted a year ago the height Brockhampton has reached. The boyband shot to superstardom somewhere between the releases of Saturation II and III. In just the last few weeks, Brockhampton has been featured on TRL, Fantano, and in Converse’s “Rated One Star” campaign.
America’s favorite boyband will be coming to Denver as a part of their LOVE YOUR PARENTS tour . The show is next Thursday February 22 at The Ogden Theater. Based on tour footage from their recent shows and the members’ respective Instagram stories, this not one to miss.
Be sure to check out CC’s Concerts and Shows Facebook group for carpool opportunities to the show. We hope to see you there.
Welcome back to school and reality, everyone! With the new year comes a host of dope concerts. The SOCC will be posting previews of shows we think are worth checking out. If you’re looking to enjoy a good night off campus, you can catch Keys N Krates with NYC’s DJ Jubilee at the Boulder Theater on Friday, February 9th.
Toronto’s Keys N Krates have established themselves as one of the biggest names in electronic music, with their song “Dum Dee Dum” achieving RIAA gold status without radio airplay. Party-makers in their own right, KNK also throw an annual festival in their hometown Toronto booking acts like Virgil Abloh, River Tiber, AraabMuzik, and Lunice. More recently, they released “Glitter” ft. Ambré which saw them break the conventions of the dance world and explore R&B. On their forthcoming album Cura they continue to explore sounds outside of the electronic world, a genre that they have led for several years.
One of the inconvenient realities of living in Colorado Springs is that most big names tend to pass us by. While it’s not too hard to get up to Denver or Boulder for a show, most tend to fall on weeknights. Luckily, the Keys N Krates show is on a Friday night, so you don’t even have to worry about making it to class the next morning.
You can buy tickets online here. Check out their single “Glitter” below!