SONG OF THE WEEK: Princess Nokia– “Your Eyes Are Bleeding”

Princess Nokia’s “A Girl Cried Red” was, to many, a surprise of a mixtape in its emo nostalgia. “Your Eyes Are Bleeding” seamlessly blends hip-hop elements with a teenage pop-punk aesthetic. While this mixtape is a very drastic shift from Nokia’s brujería feminist, rap heavy debut album 1992, Nokia has long been a cultivator and advocate for people of color’s involvement in punk, anime, video game and emo culture through her social media presence. The aesthetic of the video for “Your Eyes Are Bleeding” takes me back to my middle school days of fingerless gloves and knee-high converse. Despite emo culture being predominately thought of as a white subculture, most of the emo kids in my middle- and high-schools were people of color, queer or considered “other” to society in a larger context.

After watching Nokia’s “A Girl Cried Red” music video, I asked my best friend at the time, Kim Lopez, about her thoughts on the connection she had as a Latinx woman in a largely white public school system to the emo/hardcore scene she was a part of. I met Kim in the 6th grade, where we both bonded over our love of emo staples such as Tim Burton’s A Nightmare Before Christmas and the anime Soul Eater. As brown tweens, she said both of us accessing this scene “was like us telling the world that we knew we were different and it was us willingly separating ourselves.” We both went to middle- and high-schools that were predominately dominated by white students from wealthy socioeconomic backgrounds. Without acknowledging these implications, we bonded as emo kids. However, after a couple years we left this scene and delved more into hip-hop. Kim decided to leave the scene because “in screamo/post-hardcore I didn’t see any representation and I didn’t see the lyrics talk about anything that I felt was specifically just for me, which is why I gravitated towards hip hop afterwards. I think we just got tired of trying to force ourselves into this space that is supposedly for people who are misunderstood.”

Princess Nokia’s mixtape is a perfect marriage of our sentiments on the way in which we accessed emo culture as brown women, and the importance hip-hop held in our later teenage years.  It has the elements of the overt emotional rampage of “other-ness” that exists within emo culture, which sound even louder through Nokia’s position as someone from the afro-Latinx community. While 2008-era emo culture is relatively dead, Nokia’s nostalgic throwback dredges up a reclamation of a scene largely represented by white guys in skinny jeans.

Plugged In Collaboration with 91.5 KRCC

We’ve recently started a new limited-run collaboration with KRCC about music we’re listening to. The posts will be shared on both the SoCC and KRCC websites; check out the first post below.

Plugged In is a limited-run web series for 91.5 KRCC Music in which contributors from Colorado College’s student radio station, The SOCC, tip us off to great new releases, under-the-radar favorites, and other music they can’t live without. 

Hey 91.5 KRCC listeners & readers. I’m Paulina Ukrainets, the online content manager for The Sounds of Colorado College, CC’s radio station and music blog. I’m also an intern with 91.5 KRCC’s Air Check. Below are some songs I’ve been listening to lately (though they’re not necessarily new), and a little bit about why I like them.

Saba ft. Chance the Rapper –– LOGOUT

Usually I’m not a big fan of the currently super-prevalent “trap” style of hip-hop production, but this song is different in its beautiful amalgamation of piano, sax, synth and the standard trap percussion beat. When I listen to most music (but especially to hip-hop) my attention instantly gravitates to the lyrics, and here they don’t disappoint: “look at how much fun I’m havin’/ain’t no beauty in the absence of broadcastin’ to your followers” are just two of Saba’s lines from the ridiculously catchy chorus. This is a hip-hop anthem for the age of Instagram––the age in which young, up-and-coming artists like Saba can get the recognition they clearly deserve, but at the price of the complete destruction of their privacy in the name of online presence/promotion. As my professor Idris Goodwin would say, LOGOUT is pure bars.

 

Frankie Cosmos –– Ur Up

This song is only 36 seconds long, so I kinda feel like I’m cheating with this one, but it’s full to the brim with the kind of sincerity Frankie Cosmos fans (myself included) adore her for. The lyrics and title of this song refer to a meme-esque phrase that gets used by teenagers as a sort of shorthand booty call… or so I’m told. Here, Greta (FC’s lyricist/frontwoman) mirrors the shorthand/meme-culture form of the phrase in the song’s brevity, but totally inverts the concept the phrase refers to. It rings honest and sweet, especially in the studio outtake at the beginning. I’m super grateful for this little Frankie Cosmos-shaped window into their creative process.

 

Honour Council –– Olingo

Honour Council are a Colorado Springs band that I’ve been a fan of since their formation, but this is the first recorded song they’ve shared with the world; I’m so excited to expose people to them! I find it hard to pin their sound down to a single word or genre––some people say they fit into the shoegaze realm, but I say you should just listen. If you like what you hear, come see them play a donation-based Cloud Factory show on May 5that local house venue, The Bump! They’re supporting Dead Sullivan, a really awesome indie band from Texas. Find more details of the event here.

Taylor McFerrin –– Degrees of Light

If this artist’s name sounds familiar, it’s because he’s the son of Bobby McFerrin (if you’re bad with names, he’s the “Don’t Worry, Be Happy” guy). Taylor’s music couldn’t be more different from his father’s––this song is totally instrumental, relying heavily on synths and electronic percussion that take you on a journey through what does feel like thousands of different degrees of light. Listen to this song, and you’ll hear how the sounds shimmer and reflect off each other. It’s the most multi-sensory listening experience I’ve had in a while.