SONG OF THE WEEK: Princess Nokia– “Your Eyes Are Bleeding”

Princess Nokia’s “A Girl Cried Red” was, to many, a surprise of a mixtape in its emo nostalgia. “Your Eyes Are Bleeding” seamlessly blends hip-hop elements with a teenage pop-punk aesthetic. While this mixtape is a very drastic shift from Nokia’s brujería feminist, rap heavy debut album 1992, Nokia has long been a cultivator and advocate for people of color’s involvement in punk, anime, video game and emo culture through her social media presence. The aesthetic of the video for “Your Eyes Are Bleeding” takes me back to my middle school days of fingerless gloves and knee-high converse. Despite emo culture being predominately thought of as a white subculture, most of the emo kids in my middle- and high-schools were people of color, queer or considered “other” to society in a larger context.

After watching Nokia’s “A Girl Cried Red” music video, I asked my best friend at the time, Kim Lopez, about her thoughts on the connection she had as a Latinx woman in a largely white public school system to the emo/hardcore scene she was a part of. I met Kim in the 6th grade, where we both bonded over our love of emo staples such as Tim Burton’s A Nightmare Before Christmas and the anime Soul Eater. As brown tweens, she said both of us accessing this scene “was like us telling the world that we knew we were different and it was us willingly separating ourselves.” We both went to middle- and high-schools that were predominately dominated by white students from wealthy socioeconomic backgrounds. Without acknowledging these implications, we bonded as emo kids. However, after a couple years we left this scene and delved more into hip-hop. Kim decided to leave the scene because “in screamo/post-hardcore I didn’t see any representation and I didn’t see the lyrics talk about anything that I felt was specifically just for me, which is why I gravitated towards hip hop afterwards. I think we just got tired of trying to force ourselves into this space that is supposedly for people who are misunderstood.”

Princess Nokia’s mixtape is a perfect marriage of our sentiments on the way in which we accessed emo culture as brown women, and the importance hip-hop held in our later teenage years.  It has the elements of the overt emotional rampage of “other-ness” that exists within emo culture, which sound even louder through Nokia’s position as someone from the afro-Latinx community. While 2008-era emo culture is relatively dead, Nokia’s nostalgic throwback dredges up a reclamation of a scene largely represented by white guys in skinny jeans.

Plugged In Collaboration with 91.5 KRCC

We’ve recently started a new limited-run collaboration with KRCC about music we’re listening to. The posts will be shared on both the SoCC and KRCC websites; check out the first post below.

Plugged In is a limited-run web series for 91.5 KRCC Music in which contributors from Colorado College’s student radio station, The SOCC, tip us off to great new releases, under-the-radar favorites, and other music they can’t live without. 

Hey 91.5 KRCC listeners & readers. I’m Paulina Ukrainets, the online content manager for The Sounds of Colorado College, CC’s radio station and music blog. I’m also an intern with 91.5 KRCC’s Air Check. Below are some songs I’ve been listening to lately (though they’re not necessarily new), and a little bit about why I like them.

Saba ft. Chance the Rapper –– LOGOUT

Usually I’m not a big fan of the currently super-prevalent “trap” style of hip-hop production, but this song is different in its beautiful amalgamation of piano, sax, synth and the standard trap percussion beat. When I listen to most music (but especially to hip-hop) my attention instantly gravitates to the lyrics, and here they don’t disappoint: “look at how much fun I’m havin’/ain’t no beauty in the absence of broadcastin’ to your followers” are just two of Saba’s lines from the ridiculously catchy chorus. This is a hip-hop anthem for the age of Instagram––the age in which young, up-and-coming artists like Saba can get the recognition they clearly deserve, but at the price of the complete destruction of their privacy in the name of online presence/promotion. As my professor Idris Goodwin would say, LOGOUT is pure bars.

 

Frankie Cosmos –– Ur Up

This song is only 36 seconds long, so I kinda feel like I’m cheating with this one, but it’s full to the brim with the kind of sincerity Frankie Cosmos fans (myself included) adore her for. The lyrics and title of this song refer to a meme-esque phrase that gets used by teenagers as a sort of shorthand booty call… or so I’m told. Here, Greta (FC’s lyricist/frontwoman) mirrors the shorthand/meme-culture form of the phrase in the song’s brevity, but totally inverts the concept the phrase refers to. It rings honest and sweet, especially in the studio outtake at the beginning. I’m super grateful for this little Frankie Cosmos-shaped window into their creative process.

 

Honour Council –– Olingo

Honour Council are a Colorado Springs band that I’ve been a fan of since their formation, but this is the first recorded song they’ve shared with the world; I’m so excited to expose people to them! I find it hard to pin their sound down to a single word or genre––some people say they fit into the shoegaze realm, but I say you should just listen. If you like what you hear, come see them play a donation-based Cloud Factory show on May 5that local house venue, The Bump! They’re supporting Dead Sullivan, a really awesome indie band from Texas. Find more details of the event here.

Taylor McFerrin –– Degrees of Light

If this artist’s name sounds familiar, it’s because he’s the son of Bobby McFerrin (if you’re bad with names, he’s the “Don’t Worry, Be Happy” guy). Taylor’s music couldn’t be more different from his father’s––this song is totally instrumental, relying heavily on synths and electronic percussion that take you on a journey through what does feel like thousands of different degrees of light. Listen to this song, and you’ll hear how the sounds shimmer and reflect off each other. It’s the most multi-sensory listening experience I’ve had in a while.

Porches at Larimer Lounge 2/26

  I first saw Porches at a Pitchfork after-show in 2016 at the Empty Bottle in Chicago. I had never heard of them, but my friend had an extra ticket, so I decided to go. In a darkly-lit dive-bar filled with Dickies, jean jackets, and dirty-baseball-cap-cladden patrons, I stood stage left for a band soon to be one of my favorites to see live. Their sound is melancholy synth pop backed by house style drums, and fronted by a strong, high falsetto and sometimes auto-tuned voice from lead Aaron Maine. Though I had never seen Porches before, their sound no doubt gave me a nostalgic vibe for a time or musical space I still can’t quite place my finger on.
        Upon my two year hiatus of seeing them live, their sound this time brought me nostalgia for my first time seeing them. They played a sold out show at Larimer Lounge on February 26th and featured tracks not only from their new album, “The House,” which came out this year, but also from previous records––“Pool” and “Slow Dance in the Cosmos”. Between 2016 and 2018, the ambiance of their shows has stayed roughly consistent. Larimer Lounge is a small bar with a stage in the back that was lit like a middle school dance. The soft greens and pinks matched well with the many high-school and college-aged attendees that wore their share of early 2000’s clothing.
        Listening to their recorded music, for the most part, gives me the night time bedroom bump headspace. This translates to a live performance that is very calmly presented, but emotional. There isn’t a whole lot of dancing or motion from anyone on stage, but the unifying soft vocals and strong chord progressions are where the emotion really comes from. Most of the crowd seemed to love every bit of the show, as call out requests were semi-frequent and sing-a-longs were plenty, especially to the chorus’ of tracks like “Car” and “Be Apart”. Most songs were accompanied by head bobs and mellow sways from the crowd, but more house-inspired tracks like “Pool” got most people, especially myself, dancing with a large grin on their face.
        A personal favorite moment of mine was during the encore. At the beginning of the show, Aaron mentioned that two people had flown into Denver to see this show, and someone had gifted a pair of cowboy boots, and a cowboy hat to match, to the band. During the encore, the rhythm guitarist came out donning the white hat, which looked extra goofy on him as it was clearly too small for his head. The hat made its way around to most of the members, fitting some better than others, all giving the crowd a memorable ending to the show.
        Though Porches’ overall aesthetic and fanbase are rooted in the sad, lo-fi realm, their emotion, cohesion, and crowd interactions make for consistently pleasing shows that give plenty of good energy.

Song of the Weekend: Crack Mountain – Natural Child

I JUST WANT TO SMOKE CRACK WITH MY FRIENDS! Ok… that’s definitely not what I want to do but that is one of the quality lyrics from Natural Child’s song, Crack Mountain. Crack Mountain is a crisp blend of garage rock with a southern twist. Like most Natural Child songs, it has refreshingly straightforward lyrics. Its upbeat tempo is nearly irresistible and as the weather gets warmer, Natural Child will make you feel like it is already mid-summer. You should definitely listen to Natural Child this weekend and you should certainly avoid their advice.

SONG OF THE WEEK: GHETTO DEFENDANT – THE CLASH

Starved in metropolis…
Hooked on necropolis…
Addict of metropolis…
Do the worm on the acropolis
Slamdance the cosmopolis
Enlighten the populace….

“Ghetto Defendant” is one of those songs that will never tire me. I’ve listened to it religiously for months, always finding something new in the lyrics and the way in which the different speakers’ words interact with one another. That pleasing, old poet voice rhythmically purring is none other than Allen Ginsberg reciting lyrics he wrote for the song, communicating “the voice of God.” Take a listen:

A Short Goodbye Note

Just wanted to write a belated goodbye note to Dolores O’Riordan, the frontwoman of the Cranberries, who passed away on Monday. The Cranberries, to my mind, will always be the kind of magic-making band whose sound is impossible to replicate, in large part because of Dolores’s voice. They’re also a band that I’ve bonded with a surprising amount of CC people over… So, if you, like me, are sad about so many talented musicians leaving us in the past little while, then here’s a little reminder for you that good art will outlast us all.

Friday Playlist: WINTERING

Friday Playlists don’t stop for winter break! Hope all the students out there are enjoying some well-deserved time off to cool our brains down before they melt to mush. This week’s theme is wintering. You can find this playlist on the SoCC’s Spotify: thesoundsofcc.

Songs for those majestic winter strolls with snow crunching under your boots and the cold air taking your breath away.

Image credit: Emily Komie

PLAYLIST: 4thwk x 4thblk

The end of a semester is undoubtedly an emotional roller coaster. It’s the only time of year that you can go to the library and get to see a silently weeping student juxtaposed with the jiggly scrotum of the streaker who had the foresight to take Intro to Nature Sounds and is done with finals four days before anyone else.

Much like the average Fourth Week Experience, the Perfect Study Playlist is hardly one-size-fits-all. I’ve written papers to soundtracks ranging from Death Grips to Vivaldi. Regardless, Spotify playlists are the new mixtapes, and I just want the world to know that I am your secret admirer, I made this playlist for you, and I want it to make you happy and productive.

Godspeed, my children. The end is near.

SONG OF THE WEEK(END): Loving- “Bowlly Goes Dancing Drunk Into the Future”

Loving is a mellow indie rock band from Victoria, British Columbia. Their song “Bowlly Going Dancing Drunk Into the Future” is off their 2016 self-titled LP, an album heavy with motifs of delicate nature, letting go, and wandering.  Listen to “Bowlly Going Dancing” while sharing a dessert with a friend this weekend.

maybe you could talk freely 
speak to me for once so truly 
for once so truly 
i could know 
just where you’re going 
just where i’m standing. 
that would really be something. 

in most ways on most days 
i am clearly disappearing 
i am clearly disappearing 
at the thought of our nearing 
an end. 

this morning i awoke 
and read the words 
that you wrote. 
they were different from what you spoke 
they were different from what you spoke 
and it was there you declared 
all love is unfair. 

Photo credit of Loving from their bandcamp, https://loving1.bandcamp.com/