Category Archives: Music

DJ curated music blog featuring new music, old music, good music, weird music, your music, my music, or whatever.

SONG OF THE DAY: Unknown Mortal Orchestra- “Multi-Love”

“Multi-love” is the colorful title track of Unknown Mortal Orchestra’s latest album. It’s about a polyamorous relationship, a subject that intrigues me but is rarely explored (from what I know) in music, or even generally talked about. Lead singer and songwriter Ruban Nielson articulates the confusing challenges that polyamorous love poses to his concept of conventional relationships and gender roles with lines like “She don’t want to be a man or a woman/ She wants to be your love” and “We were one, then become three,” singing with an anxious sense of urgency in spite of his playful lyrics. I also love his voice, which is a sort of terra cotta brown and has the consistency of wet clay.* Give it a listen!

https://en.wikipedia.org/wiki/Synesthesia

SONG OF THE DAY: Karen O –– Ooo

When I was about 11 years old, I heard my sister playing a Yeah Yeah Yeahs song (I think it was Runaway) and instantly felt shivers rush down my spine –– the vocals were so haunting, so beautiful; they struck me right to my core. I spent the rest of the day downloading their music off LimeWire (those were the good old days of torrenting). To my disappointment, when I listened to the rest of their music, I found myself at an odds; I felt addicted to the vocals, but could not quite get down with the slightly too aggressive lyrics and drum beats in most of their songs. Thus, with a void in my heart, I put the Yeah Yeah Yeahs away to never be revisited again… Until a faithful day in 2014, when my then-boyfriend and I went to see Her at the cinema. Once again, I heard that captivating voice, except this time it wasn’t screaming at me to dance till I’m dead; it was almost whispering to me, in tones that, for me, matched the singer’s voice perfectly, about love. Later that day, my void was finally able to be filled with Karen O’s solo tracks; here is a beautiful example of the kind of enchantment her voice holds.

SONG OF THE DAY: Milt Jackson- “Bag’s Groove”

 

One of my favorite sounds in the world is that of the vibraphone, a lesser-known jazz percussion instrument. When I hear it I see* small, luminescent, neon green (a color I’ve never seen in any other sound) orbs that tumble over each other like marbles and constantly swell and contract.

“Bag’s Groove,” composed by vibraphonist Milt Jackson and first recorded in 1952, is a 12-bar blues track with a catchy head comprised of descending notes. It features lively solos by Milt Jackson, alto-saxist Lou Donaldson, and pianist John Lewis. I personally go for the first and less famous recording because it’s concise, its pace is brisker, and (of course) because it has more vibraphone.

For the famous version, check out the Miles Davis Quintet’s recording. This track feels cleaner and more spacious in contrast to the rushed vibe of the original recording, probably because it’s eleven minutes long  and has a more laid-back pace. And while Milt Jackson (who was part of the quintet) has a strong presence, it’s definitely more horn-heavy.

* https://en.wikipedia.org/wiki/Synesthesia

Here’s a rough illustration of the song:

SONG OF THE DAY: Sampha –– (No One Knows Me) Like the Piano

A recent favourite of the internet’s music critics, Sampha has previously featured on songs from Kanye’s The Life of Pablo, Drake’s Nothing Was The Same, and one of my favourite electronic albums, SBTRKT’s SBTRKT. The song below, off his new album Process, sounds reminiscent of James Blake in Sampha’s more soulful voice, and of Joni Mitchell in the melancholy evocativeness of the lyrics.

If this song is up your alley, I encourage you to check out the whole album –– while Sampha is very versatile, his stunning voice weaves a thread from beginning to end.

 

Song of the Day: Country Joe & The Fish- “Not So Sweet Martha Lorraine”

 Surreal electrifying energy. “Not So Sweet Martha Lorraine” is a hypnotic track on Electric Music for the Mind and Body, an album full of psychedelic strangeness. I cannot get over the seamless switches from bluesy garage rock to soaring, euphoric organ that pervade the song. Take a listen.

SONG OF THE DAY: Mitski –– First Love/Late Spring

I am definitely late in terms of boarding the Mitski train, which is surprising –– she’s toured with Frankie Cosmos, whom I’m a huge fan of, and is generally considered an integral part of the DIY indie scene (or whatever the “correct” name for this kind of music is). I’d tried listening to her in the past, and was, I guess, a little put off by what I thought was a much more aggressive, rocky sound than I was expecting.  All I can say is that I must have listened to the wrong songs, or had gone temporarily deaf, because dang! This girl can sing! (and write).

Sometimes she seems to look into the soul of the classic American sadboy (or girl); other times, she writes from her own perspective –– that of a triculture disillusioned outsider. Either way, her music is almost always very emotionally evocative. The song below, for example, instantly transported me back into the days of all-encompassing, identity-dissolving and unhealthy first love. It’s off her third album that came out in 2014: “Bury Me at Makeout Creek.” Have a listen!

Lewis Del Mar – Tap Water Drinking

In October, the Rolling Stone featured Lewis Del Mar as one of ten new artists you need to know.

Lewis Del Mar’s whole album will awaken your music taste buds. Their songs have a circus of clashing sounds that cleverly resolve. Each song feels scrappy and exhilarating.  Fans of Foals, Alt-J, and the beach goth genre will enjoy  the beach dreamscape feel of Lewis Del Mar. I feel as if I am  washing up onto a serendipitous island full of vegetation and allure every time I listen to them. “Tap Water Drinking” has an electronic background layered with a folk guitar and a hip-hop sounding beat. The end of the song is a wild and satisfying cacophony. As a listener, I also loved how the lyrics of “Tap Water Drinking” validated the universal feeling of shallow attraction.

 

 

 

 

 

 

Song Of The Day: Kohinoorgasm- “Azaadi Is Freedom Is Fate”

My friend from KALX Berkeley impulsively took a bus to Colorado Springs, surprising me on this stressful start to the fourth week. We’ve spent most of the day sitting on my couch showing each other songs we’ve been into lately. Aside from the classic “Caught In A Butt Sandwich” by The Mangfather Bob Katz, the best song she showed me happened to be by a kickass multiracial artist named Kohinoorgasm. Kohinoorgasm is a bay area artist that used to DJ at KALX, now working as a solo artist. She strives to empower people of color through her music. The music video of “Azaadi Is Freedom Is Fate”  has an evident motif of hair, which Kohinoorgasm notes as a “distinct issue for femmes of color.” The song itself is an exploration of the concept of freedom, Azaadi meaning freedom in multiple levels. As a multiracial woman who identifies strongly with my Indian culture, I find Kohinoorgasm to be an empowering presence in the DIY music scene.

 

SONG OF THE DAY: Elenore –– The Turtles

Over Thanksgiving break, I was at home (in England) visiting a friend at her university in Sheffield. The classic way to spend your Saturday night in England if you’re college-aged, is to go to a club; and so we did. I was ready to be disappointed –– personally, I don’t really find much enjoyment in being in the middle of a crowded dark sweaty room of wasted strangers and subpar house music –– but then this song came on. Immediately, there was a sense of unity in the room; everyone stopped trying to impress the other drunk messes on either sides of themselves and started dancing, in whatever way they could. The club turned into a poorly-lit karaoke. I believe, with 97% certainty, that this song will make you want to sing with it.

 

 

ALBUM REVIEW: Seal Eggs – “Sunday Will Be Snow”

https://sealeggsmusic.bandcamp.com/album/sunday-will-be-snow

Gwen Wolfenbarger is behind one of Colorado College’s most unique sounds. Also known as Seal Eggs, her new album Sunday Will be Snow is a beautifully ethereal collection of layered and looped tracks, she describes as “drinking Sleepytime Vanilla tea….” that truly “sounds like winter.”

I remember the first time I saw Gwen perform in Cornerstone last year, I was brought to tears during her performance of “One Day”, which is featured on the new album. She drew on many inspirations during the composition process, one of the most important being the journey of understanding her transition, which expresses itself thematically through the development of the tracks. Gwen describes the progression of the tracks to reflect her transition: “begins hopefully, kind of sinks into depression through the middle, and then ends on another positive note…I think the most depressing part is dysphoria”.”

Gwen’s process of composing, recording and performance is extremely unique. During composition, Gwen describes the process as a “snowball effect”. Sound-layer upon layer build up after long periods of improvisation, to produce a sound she didn’t plan out. Because of the complexity of her tracks, I am dumbfounded at her ability to reproduce this in live performance. During performance, she describes her experience: “I forget that I’m even performing for anyone, and so its incredibly jarring when at the end there’s an applause…I am extremely vulnerable to the memories and experience of the transition.” She describes getting lost in the music and the performance; music is her form of escape. The songs themselves are intimate and exposed, and this is clear through Gwen’s raw emotion. It is a beautiful experience just to witness a Seal Eggs performance.

I asked Gwen about what music means to her and what she thinks it could do for others. Of course this is a big question, but she comments on how music has always been the biggest and most important part of her life. Even before she could play any instruments (which she plays many and if she doesn’t, could learn in an unfair amount of time) baby Gwen was found chewing on her family’s upright piano. To this day music envelops her life, “I don’t even know where I would be without it, music is my best friend.” There are clear resonances of Gwen’s musical background in choir throughout Sunday Will Be Snow. Music frames Gwen’s experiences of the world and in terms of her new album; music has been a very healing experience. It was not only a healing experience for Gwen, but as a huge fan of her music, a restorative experience for all listeners.

Catching up with Gwen on her new album also led to some entertaining responses about Sunday Will be Snow:

Q: “If you could collaborate with any musical artist who would they be?”

A: “One of my big influences, Grouper. She’s a drone singer and guitarist from Portland who uses a lot of tape loops…. A lot of it sounds like it’s underwater.”

Q: “What colors and shapes embody the essence of this album for you?”

A: “Powdery blue and pink definitely, I mean those are the trans flag colors. Also warm colors like burgundy. Shapes would be spirals and circles.”