Porches at Larimer Lounge 2/26

  I first saw Porches at a Pitchfork after-show in 2016 at the Empty Bottle in Chicago. I had never heard of them, but my friend had an extra ticket, so I decided to go. In a darkly-lit dive-bar filled with Dickies, jean jackets, and dirty-baseball-cap-cladden patrons, I stood stage left for a band soon to be one of my favorites to see live. Their sound is melancholy synth pop backed by house style drums, and fronted by a strong, high falsetto and sometimes auto-tuned voice from lead Aaron Maine. Though I had never seen Porches before, their sound no doubt gave me a nostalgic vibe for a time or musical space I still can’t quite place my finger on.
        Upon my two year hiatus of seeing them live, their sound this time brought me nostalgia for my first time seeing them. They played a sold out show at Larimer Lounge on February 26th and featured tracks not only from their new album, “The House,” which came out this year, but also from previous records––“Pool” and “Slow Dance in the Cosmos”. Between 2016 and 2018, the ambiance of their shows has stayed roughly consistent. Larimer Lounge is a small bar with a stage in the back that was lit like a middle school dance. The soft greens and pinks matched well with the many high-school and college-aged attendees that wore their share of early 2000’s clothing.
        Listening to their recorded music, for the most part, gives me the night time bedroom bump headspace. This translates to a live performance that is very calmly presented, but emotional. There isn’t a whole lot of dancing or motion from anyone on stage, but the unifying soft vocals and strong chord progressions are where the emotion really comes from. Most of the crowd seemed to love every bit of the show, as call out requests were semi-frequent and sing-a-longs were plenty, especially to the chorus’ of tracks like “Car” and “Be Apart”. Most songs were accompanied by head bobs and mellow sways from the crowd, but more house-inspired tracks like “Pool” got most people, especially myself, dancing with a large grin on their face.
        A personal favorite moment of mine was during the encore. At the beginning of the show, Aaron mentioned that two people had flown into Denver to see this show, and someone had gifted a pair of cowboy boots, and a cowboy hat to match, to the band. During the encore, the rhythm guitarist came out donning the white hat, which looked extra goofy on him as it was clearly too small for his head. The hat made its way around to most of the members, fitting some better than others, all giving the crowd a memorable ending to the show.
        Though Porches’ overall aesthetic and fanbase are rooted in the sad, lo-fi realm, their emotion, cohesion, and crowd interactions make for consistently pleasing shows that give plenty of good energy.

CONCERT PREVIEW: BROCKHAMPTON @ The Ogden Theater, February 22

Brockhampton, stylized as BROCKHAMPTON, is a California-based American hip-hop collective formed in San Marcos, Texas in 2015. Brockhampton was founded on Internet forum KanyeToThe, leading them to be described as ‘The Internet’s first boy band’. They released their first mixtape All-American Trash in 2016, their first album Saturation in June 2017, and their second album Saturation II in August 2017.

No one could have predicted a year ago the height Brockhampton has reached. The boyband shot to superstardom somewhere between the releases of Saturation II and III. In just the last few weeks, Brockhampton has been featured on TRL, Fantano, and in Converse’s “Rated One Star” campaign.

America’s favorite boyband will be coming to Denver as a part of their LOVE YOUR PARENTS tour . The show is next Thursday February 22 at The Ogden Theater. Based on tour footage from their recent shows and the members’ respective Instagram stories, this not one to miss.

Be sure to check out CC’s Concerts and Shows Facebook group for carpool opportunities to the show. We hope to see you there.

LISTEN: “Boogie”

CONCERT PREVIEW: Keys N Krates @ Boulder Theater, February 9

Welcome back to school and reality, everyone! With the new year comes a host of dope concerts. The SOCC will be posting previews of shows we think are worth checking out. If you’re looking to enjoy a good night off campus, you can catch Keys N Krates with NYC’s DJ Jubilee at the Boulder Theater on Friday, February 9th.

Toronto’s Keys N Krates have established themselves as one of the biggest names in electronic music, with their song “Dum Dee Dum” achieving RIAA gold status without radio airplay. Party-makers in their own right, KNK also throw an annual festival in their hometown Toronto booking acts like Virgil Abloh, River Tiber, AraabMuzik, and Lunice. More recently, they released “Glitter” ft. Ambré which saw them break the conventions of the dance world and explore R&B. On their forthcoming album Cura they continue to explore sounds outside of the electronic world, a genre that they have led for several years.

One of the inconvenient realities of living in Colorado Springs is that most big names tend to pass us by. While it’s not too hard to get up to Denver or Boulder for a show, most tend to fall on weeknights. Luckily, the Keys N Krates show is on a Friday night, so you don’t even have to worry about making it to class the next morning.

You can buy tickets online here. Check out their single “Glitter” below!

CONCERT REVIEW: Angel Olsen at The Gothic Theather

 

Angel Olsen’s stage presence left the audience in the Gothic Theater silent. You could hear a pin drop as she crooned out notes from many hits of her newest album, “My Woman”. At first one could look around the theater wondering why everyone got the memo to act as a phalanx of statues staring straight ahead. But it was not that the crowd wasn’t enjoying themselves. Following their gazes it was not difficult to figure out why; and fall under Angel’s spell and be captivated by her stage presence. Although Angel sounded amazing on stage, her presence was one of the best aspects of the show. She had the complete attention of everyone around, I think even her bandmates had stars in their eyes.

Her set lasted around an hour, where I was left hungry for more (of course) but I knew it wasn’t the end. Soon to follow was one of the best encores I have seen in a while. Featured was an amazing cover of Motel’s “Total Control” and after being subject to that I can’t think of one person in the audience who wasn’t obsessed with Angel.

CONCERT REVIEW- Ominous Animals and Kauzmann On Ice

 

leo (use)This past Saturday night CC students gathered at 666 Uintah to let out some energy to the sounds of CC student bands Ominous Animals and Kauzmann On Ice. Above the roar of friends gathered around, upbeat guitars and smashing symbols keeping the room sweaty, lively, and full until the bitter end.

 

While I personally showed up late to the Ominous Animals set, friends like Lena Farr-Morrissey shared that they brought a lot of energy to the room with groovy jams like their rendition of “Whiteguitar (use) Room” by Cream. They have been consistently creating an incredible atmosphere for every live set. These talented musicians have been around the CC music scene for a few years now and they that have come together under the name of Ominous Animals. The crowd always adores their performance and were sad to see their set end.

After the crowd filed out quickly for a short smoke break, Kauzmann On Ice followed Ominous Animals to complete the night. While Kauzmann On Ice was the name of this band this past Saturday, the official name of this group has yet to be decided. So continue to keep an ear out.  With influences from CC student bands such as the beloved Randy and the Reptiles, curiosity elevated the crowds excitement.  Extended downtempo jams on the guitar gave the room a spacey ambience as those nexdrummer (use)t to me began to shut their eyes and dance for nobody but themselves. As the tempo increased so did the amount of collisions in the crowd. A perfect mixture of groovy bass, upbeat guitar, and loud, rhythmic drums riled up the crowd for the climax of the night. A crowd surfer passed overhead and fell soon after, but everyone still had smiles on their faces.

With another dynamic performance from  Ominous Animals and Kauzmann On Ice’s lively debut show, Saturday night was one to remember. The intimate venue, the abundance of tigers, and high-spirited music created an exhausting yet refreshing experience for those who were lucky enough to attend. Keep an ear out for these bands next show, you don’t want to miss it.

Photos by Leo Turpan ’18

BAND INTERVIEW // SHOW PREVIEW – UNTITLED STUDENT BAND

I sat down with Jake Sabetta, Andy Post, and Evan Levy, three members of a new CC student band, to talk about new music, influences, and Tarantino movies. The three of them are super excited to play their own kind of live music again after the disbanding of Funkdozer.

Their as-yet-untitled band plays Saturday, September 12, at the Eggplant House at 10:30pm.

TB: So, can you guys introduce yourselves?

Jake Sabetta: I’m Jake Sabetta, I play guitar, that is my primary instrument, and I’ve played with these guys, Andy Post and Evan Levy for two years now, in pretty much every band that I’ve played in at CC. So it’s a good connection that we’ve got, and I’m happy to be joining these two again.

 Evan Levy: I’m Evan, and I’m gonna be playing saxophone. I’m used to playing with other horn players, as of now I’m alone, so I’ll probably be playing a lot of things along with Jake, I think. I just got a little ceramic flute that I’m excited to try out… It might not work at all, but- (JS: What’s it called?)- an ocarina. Yeah. Perhaps gonna try to get some pedal action going on the saxophone- guitar pedals- for loops or delays so they can sound a little cooler.

 Andy Post: I’m Andy Post, I play keyboard. I’ve played in two bands with these guys. (JS: He composes a lot of good music. EL: Yeah he does.)

 

TB: Right on, cool. So as far as this project goes, what kind of style are y’all going for? I know all three of you were in Funkdozer, are you going for that funky style again, or something new?

EL: So, originally, we were really excited about neo-soul, that’s the genre that includes D’Angelo, Erykah Badu, Roy Hargrove, or Questlove sort of stuff. It’s a real groovy sort of genre, I think we’re gonna lay off on the funk a little bit, get a little more tasteful, especially with Sophie on vocals, which is crucial, and James Dineen is gonna do some rapping, which is another component of this genre of music. We’ll also inevitably dabble in funk.

 JS: I think the biggest thing we learned in Funkdozer, as we were primarily a rock band for the first year, not playing any funk at all, we took this wild detour into funk, is funk is like the Dao, like anything in Zen, I think it’s always there, it’ll always be present in this band, but I think in a different fashion than it was in Funkdozer. It won’t be as loud, but definitely there.

 AP: “Jazz is the teacher, funk is the preacher…” There’s another part to that.

 JS: “One without the other, you’ve got nothing but the blues.”

 AP: Original compositions is a pretty big goal.

 

What are your personal influences as far as individual style goes? Musicians, bands, other artists…

JS: I think in the multiple bands we’ve played in, the three of us and some other people, like the bands themselves all shared influences, and Funkdozer I all of us were into Lettuce, Soulive, stuff like that, and I think people will find out the shared interests of this band as we grow, so far Roy Hargrove is a big one, Erykah Badu… We can do individually I guess, there’s a lot of influences…

 EL: Yeah, there’s a lot, I think it’s better to keep it to group-wide influences, more telling of it, we could all list dozens of influential artists, but it’s the ones that tie us together (laughter).

 

As far as starting this project, how does it feel to start a new project? What are you excited about? What are you concerned about?

EL: Well, none of us- we haven’t played together, with all seven of us yet, and we have a show tomorrow, so I’m really excited to hear what we sound like with all of us together.

 AP: We’ve had different combinations of six, different combinations of five, but… Yeah getting seven people together with crazy schedules is a concern, I guess the hope is that we can find- like, last year with Funkdozer I felt like we all found a common thread that we were psyched on playing, and had efficient practices and also with fun and competition. One of the things Evan said to me when we started this group is that there’s not like an alpha male, or like super stressed out person, which we’ve experienced in the past, so I’m hoping that there’s still some drive, but we can all be a relaxed group with a good ethic.

EL: I’m excited that this group isn’t afraid to play quietly, and my experience at CC is that student bands play loud all the time, and that’s their one little volume knob, but I think, you know, we’re all interested in creating space… as Miles Davis once said, “It’s not about the notes you play, it’s about the notes you don’t play.” So, I think I’m excited to work with that.

 JS: I think most bands, are trying to push it to 13, like Spinal Tap, and we’re trying to keep it around three.

 

What is the most rewarding moment of the career y’all have had so far?

AP: Last year, first round of Battle of the Bands, that felt there were a lot of people, and also a lot of people listening, including people on stage, I just felt like we had the audience’s ear more so than before, kinda listening more to the aesthetic of the music rather than dancing and shouting names.

 JS: Yeah, I mean Andy was playing really colorful ideas during his solos and I remember looking up during his solos and seeing kids dancing, but like, with their eyes wide open, looking at him in awe, his fingers, what he was playing- that was a cool moment.

 EL: Yeah, the moment it just kinda gets going during a gig and it doesn’t stop.

 

Last two questions- fun ones! Each of you, what is your favorite album of 2015 so far?

EL: Snarky Puppy’s new album Sylva is really cool. It’s a group that is the modern incarnation of the jazz band, they play some weird stuff, and this album is accompanied by an orchestra, so it’s really cool.

 AP: Their dynamics, especially with an orchestra, it’s like funk plus the adaptability of an orchestra, which is really cool. I’m getting into this album by Kamasi Washington, he’s one of the saxophone players on Kendrick Lamar’s new album.

 JS: D’Angelo’s album came out this year, right?

 EL: No, I thought it was October 2014. That would be a good choice though.

 JS: Ah well. There’s this guitarist called Plini, he just released an EP called… I think it’s called Things to Come? [Note: Google says the EP is called The End of Everything]. I think he’s making the most creative music I’ve ever heard, and his band is… so good.

 

Alright, last one- favorite Tarantino movie?

JS: Ah!

 AP: I’ve seen parts of… what is that one? Pulp Fiction. I’m not much of a movie guy.

 EL: Yeah, I’m not much of a movie guy either, I’ve seen Pulp Fiction and I’ve gotten through Reservoir Dogs.

 AP: Oh, I’ve also seen Django Unchained at the theater. I fell asleep.

 JS: Well, I know everyone would say Pulp Fiction, so I’m gonna go Jackie Brown, even though it isn’t as good as Pulp Fiction. Gotta be different.

TB: Thanks guys.

CONCERT PREVIEW: GRiZ @ RED ROCKS 9-4

Tonight is the night. GRiZ, the increasingly popular Detroit-based electronic artist, will be throwing down his first-ever headlining show at Red Rocks Amphitheater in Morrison, CO. GRiZ, who currently calls Boulder, CO home has made numerous appearances at Red Rocks. His most notable appearances up to this point include a performance at Global Dance Festival in 2012 and a spot supporting Big Gigantic at Rowdytown 1. In the lead-up to this show, which will kick off his nationwide tour. Below, check out his newest mixtape, “Chasing the Golden Hour Pt. 1” as well as the music video for his 2013 song Smash the Funk. Included in this video is footage of GRiZ performing live at Red Rocks. Since his last performance at Red Rocks GRiZ has premiered his own record label “All Good Records” and will feature his label mates tonight on the Rocks. Muzzy Bear, Sunsquabi, and Manic Focus. The night will surely be full of new music and production from Kwiecinski (real name: Grant Kwiecinski). The concert sold out in the middle of August, so the stoke is set to be at astronomical levels.

YOU ME & APOLLO Rocks Out @ CC

Yet again, The SOCC brought an awesome band to campus. I would be really bummed if I hadn’t made it to the You Me & Apollo concert on Thursday night in Shove Chapel. You Me & Apollo is a band based in Fort Collins, CO, started and now led by the talented singer/songwriter Brent Cowles, a Colorado Springs native. With great variety in their musical repertoire, their songs range from country-ish, almost folky music, to a more mellow bluesy vibe. Only half-way into the first song, CC students couldn’t resist getting up and rushing the stage to dance along with the band. While listening, I was trying to place who Cowles sounded like from other bands I know. Finally, I figured it out. His voice and overall vibe was a mixture between Dan Auerbach of The Black Keys, Nathan Willett of Cold War Kids, and even Brittany Howard of the Alabama Shakes (because, lets face it, we all thought that her voice was a man’s the first time we heard it). Great combination if you ask me. They seamlessly interacted with the audience which I always appreciate, because what’s worse than awkward interactions between band members and their audience? They especially appreciated the animated dance moves of the students and called attention to them more than once.

The band released an album entitled Cards for Cheats back in 2011 which I highly recommend. They are expected to release their second album on May 9, so be sure to keep an ear out.

 

 

 

CAMPUS CONCERT: You, Me, and Apollo; ft. Maxwell Hughes

YOU, ME, & APOLLO FT. MAXWELL HUGHES

Shove Chapel

Thursday March 27

Doors open at 8:00pm

Come one, Come all. No Tickets required, just bring yourself your friends and your friend’s friends. Here is a little teaser for your enjoyment.

Album and Show Review: Local Natives

 

Anna Forster-Smith

 

After listening to Local Native’s sophomore album Hummingbird for roughly the 157th time, I was obviously in love Continue reading “Album and Show Review: Local Natives”