Austin fuzz-rock outfit Most Likely has just released a new single about a cat. Formerly known as Planet Manhood, these dudes have been putting out music for a few years already. The new track is the first release off their upcoming LP, and its production blows previous work out of the water. Fans of (Sandy) Alex G. will almost certainly dig it – the first chords immediately evoke the sound of 2015’s Beach Music. Give it a listen below:
Dog Years is a “heart-shaped box”-esque slowburner. Its lyrics steam with hate. Dog Years reveals the vitriolic aftermath of a relationship. In its soul-crushing relentlessness, the song captures how the subject of the song meticulously ruined life’s simple joys. Jenna Moynihan begins by singing, “If you could do anything / You would ruin the best things / You would spoil the ending / You’d dissolve cotton candy.” Later on she seems to find sadistic pleasure from imagining the death of whomever she is singing about. The pain and disgust are palpable.
I’ve always had mixed feelings about math rock. For those of you who aren’t familiar with the genre, here’s my stripped-down definition: experimental rock made up of layered rhythms that really should not sound good together. In my experience, math rock can range from utterly abrasive to mind-blowing. Palm lands on the latter end of that spectrum.
I saw this band play at an itty bitty coffee shop up in Boulder a few weeks ago. The performance had me fully immersed – it almost becomes a game, trying to figure out when the downbeats land or when the keys change. It’s impossible to concentrate to this sort of music, yet it tickles the brain in an inspiring way.
Palm is full of contradictions. I should really stop trying to describe it, and you should really just listen to their newest track below. Enjoy.
Friday playlist time! I am going to start posting these every Friday, centering each playlist around a different theme. You can find these playlists on the SoCC’s Spotify account “thesoundsofcc”. This week’s theme is vastness.
These songs are for when your thoughts seem too expansive to fit in your brain or when you are awestruck by the immensity of the universe around us. Inspired by my current road trip to a frisbee tournament through the never-ending plains of Kansas.
Image credit: Emily Komie
Happy Halloween! Here’s a witchy playlist I’ve put together for the occasion:
Journey In Satchidananda by Alice Coltrane
- Alice Coltrane is a powerhouse of an individual: a fantastic multi-instrumentalist, swami, and wife to none other than John Coltrane. “Journey In Satchidananda” is witchy in the most beautiful and spiritual ways.
Brujas by Princess Nokia
- My favorite off of her excellent album 1992, “Brujas” is an ode to the rapper’s Yoruban ancestry and the power of brujería.
Heart of Chambers by Beach House
- In Beach House’s autumnal ballad “Heart of Chambers,” vocalist Victoria Legrand croons of intense longing, conjuring spirits to make her lover smile.
Black Moon Spell by King Tuff
- King Tuff’s “Black Moon Spell” is a whole lot of fun and angst.
I Put A Spell On You by Nina Simone
- The most bewitching out of all the songs on this playlist, Nina Simone’s “I Put A Spell On You” is haunting in the intense emotionalism Simone imbues in the lyrics.
Run To Your Mama by Goat
- Goat is a mysterious band. They perform in masks and claim to come from Korpilombolo, Sweden, a town that has a history of voodoo worship. “Run To Your Mama” is a catchy garage rock jam with diverse influences and a sinister edge to it.
The Killing Moon by Echo & The Bunnymen
- When will this song ever not be on a Halloween playlist though??
White Rabbit by Jefferson Airplane
- One of Jefferson Airplaine’s best, this song is spooky psychedelia straight outta Alice In Wonderland.
Strange Magic by Electric Light Orchestra
- I wanted to end this playlist on a less spooky note and go with this classic by Electric Light Orchestra. “Strange Magic” never fails to make me feel warm n fuzzy :’)
Enjoy, and have a safe, witchy Halloween!!!
I haven’t posted on this website in a while, but in that while I’ve managed to fall completely into a bottomless pit of admiration/adoration for King Krule, and specifically for his new album The OOZ. If you’re interested in hearing him say the album title in his glorious British accent, or in learning more about how the album was made, check out the Beats 1 session he recorded in his bathroom-turned-brainspace: https://itunes.apple.com/us/station/king-krule-takeover/idra.1295672630
Right now, though, on this cold Colorado Tuesday evening, I want to bring your attention to the first single from The OOZ–– Czech One. Not only is the song just really fucking spaceously beautiful, but the video is one of the best music videos I’ve seen in some time. If your self-esteem needs a little hammering, King Krule (or Archy Marshall, the man behind the project) is 23 and the director of “Czech One,” Frank Lebon, is 20. (But don’t actually feel bad; they both come from ridiculously creative/artistic lineages, which is its own sort of privilege)
Anyway, here’s “Czech One”:
If you liked what you saw, you should check out (The OOZ, obviously, but also) the art collective that Frank Lebon is a part of: http://www.dobedo.co.uk/
picture taken from altcitizen.com
Sitting outside on this sunny Sunday, listening to old Captain Beefheart & His Magic Band, I feel gluttonously at ease. This 1967 track off Safe as Milk will soothe you over, relax your muscles, and put you in the nostalgic shoes of all the alumni on campus this weekend. Don Van Vliet’s tender, bluesy voice sings of good times, gratitude, and loss while his Magic Band coos behind him. The constant tempo keeps a groovy vibe, perfect to put on repeat while swaying with a friend, taking a walk, or doing a problem set on this fine weekend.
I’m a big fan of the first few weeks after an album is released. No matter how famous or underground the artist is, for a glorious fortnight I can toss their music on the aux and watch as everyone in the room reacts. People will bob their heads and tap their toes, running through the iTunes libraries of their mind trying to figure out who the hell sings this song. In that moment, I feel like god, holding the power of a great song as well as the holy knowledge of its origins.
Ariel Pink’s latest album has been on the airwaves long enough wear its novelty thin, yet his music always has a similar effect on a room. Nostalgia confronts experimentalism in songs like “Death Patrol,” leaving listeners in a frustrating state of deja vu. Dreamy disco melodies combined with Pink’s eclectic vocal range make this track familiar yet uncontrived. “Death Patrol” is a perfect song for parents’ weekend, as music fans from any era can recognize something likable in it.
October is a nocturnal month where the stars are illuminated, always putting me in an astrological mood. So far my October has consisted of nightly readings of the book Sextrology with friends, which I HIGHLY recommend if you have astrological inclinations. Pharoah Sander’s “Moon Child” has been an obvious go-to song during these rituals. It’s a cosmic tune perfect for a witchy, mystical October.
Damn. Almost forgot to post this one. Very minimal sleep was had this week. This is the howling tune that I’m going to use to power me through the weekend. It is a pop-punk jam by A Giant Dog off the 2016 album “Pile.” Enjoy.